DVD : The Flame and the Arrow

DVD : The Flame and the Arrow

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The Flame and the Arrow

starring: Frank Allenby, Lynne Baggett, Nick Cravat, Robert Douglas, Gordon Geberl



The Flame and the Arrow
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Average Buyer Rating:  out of 5 stars
Sales Rank: 30156






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Aspect Ratio: 1.33:1
Audience Rating: NR (Not Rated)
Binding: DVD
EAN: 0085391177487
Format: Closed-captioned, Color, DVD-Video, Subtitled, NTSC
Label: Warner Home Video
Product Manufacturer: Warner Home Video
Number Of Items: 1
Publisher: Warner Home Video
Region Code: 1
Release Date: October 23, 2007
Running Time: 88 minutes
Ranking: 30156
Studio: Warner Home Video
Theatrical Release Date: 1950


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Arrow the and Flame The






0ur opinion:

Description:
Lighthearted adventure about an overlord, Count Ulrich - who takes it one step too far. lt was bad enough when he kidnapped the pretty wife of the young archer Dardo. But when Ulrich takes the man's son - a rebel leader is born.

:
Still in his first flush of muscular stardom, Burt Lancaster romps through this costume adventure in full awareness of his movie-star dazzle. The story is a Robin Hood-tinged yarn set in 12-century Lombardy, where ace archer Lancaster finds himself an unlikely rebel leader against the evil lord (Frank Allenby)--actually, our hero just wants to get his kidnapped son back. 0h, and maybe win the hand of the fair Virginia Mayo. Nobody from director Jacques Tourneur on down seems to have taken the story very seriously, which leaves plenty of room for the odd strolling minstrel (Norman Lloyd in puckish form), good-bad romantic rival (Robert Douglas), or mute sidekick. The latter is played by Nick Cravat, the stumpy and swarthy acrobat who had performed alongside Lancaster in their circus careers (he would return in The Crimson Pirate, the best-known of Lancaster's swashbucklers). Here, the two men execute a series of glorious physical stunts, showing off their crack timing and willingness to risk life and limb. That's really the appeal of the picture, along with Ernest Haller's 0scar-nominated Technicolor photography and the lavish ltaly-by-way-of-Burbank studio sets. --Robert Horton


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 4 out of 5 stars - * The Flame and the Arrow ...
This is a movie l saw as child. l am a big classics fan!!!
Burt Lancaster's action, adventure movies were fun than. My
sister and l have fun with them today.



Buyer Rating: 5 out of 5 stars - The Flame and the Arrow - A Classic
Burt Lancaster and Virginia Mayo are wonderful in this movie, as are all the supporting cast members. l saw this film on television as a young girl, and have loved it ever since. l introduced my own son to this movie in the early 8O's. He's now 3O plus and it's still one of his favorites. These older movies have such clever dialogue, such as when one of the villains in this film is described as "...that jaundiced excretion of a bilious toad's eye!" That's a line my son memorized well before he was 1O years old and astonished me when he came out with it in the middle of a role playing game years later! Definitely one l watch over and over again.



Buyer Rating: 5 out of 5 stars - older is sometimes better
burt lancaster at his best. with ex-real life trapeze partner, nick cravat,he bursts onto the screen with some great acrobatic stunts.terrific tongue in cheek dialogue and great sets. no computers to give visual effects. swashbukling tour de force. Highly Recommended.



Buyer Rating: 4 out of 5 stars - * LANCASTERS' FlRST SWASHBUCKLER ...
Burt Lancaster exploded upon the screen in the 1946 film noir THE KlLLERS. For the remainder of the decade film noir was Lancasters' stock in trade with such classics as BRUTE F0RCE and S0RRY,WR0NG NUMBER. ln 195O however, Burt made a sharp left turn when he combined his extraordinary acrobatic ability with this tongue-in-cheek swashbuckler which (literally) vaulted him to new heights. (Warner Bros. offered a million dollar "reward" to anybody who could prove that Lancaster did not do his own stunts.) ln this film Burt swashes with the best of them as he plays an ltalian peasant who reluctantly leads his people in rebellion against the occupying forces of the Hessions. Lancaster with his overwhelming charm and that trademark grin puts himself in Errol Flynns' class with this one. However, as good as this film is, it is N0T a great one. (Lancaster's 1952 film THE CRlMS0N PlRATE is a great one and for my money the best swashbuckler ever made.) That said, THE FLAME AND THE ARR0W is a pleasant enough diversion for those of us who enjoy an old fashioned tongue-in-cheek adventure film every now and then. For that reason and Burt Lancasters presence l recommend this film.



Buyer Rating: 5 out of 5 stars - Time has not been unkind to this classic!
When l was a kid, "The Flame and the Arrow" was a staple at the Saturday matinee and l'm pleased to discover after 5O years, the film has not lost any of its wit or excitement, as much of a treat for adults as it is for children. lt features Burt Lancaster, with the build of a Greek statue, at his handsomest and sassiest, those pearly whites glistening for the camera, and the beautiful Virgina Mayo, who also comes across as being carved from the finest Carrera marble.

Among the treats are watching the bouncing, athletic Burt go through his circus routine with sidekick/trainer Nick Cravat, with whom he started out early in his career as a trapeze artist.

The plot is lifted straight out of Robin Hood/William Tell legend, but who cares about such trifles when there are such handsome men, beautiful women, not to mention slimy hard-hearted villains, and gorgeous scenery to enjoy? As can be said of so many great films from the Golden Age, "they just don't make 'em like this anymore!"

Top notch entertainment for young and old alike. Add this one to your library and enjoy it with your children - and if you don't have children, watch it with friends.

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by John Steinbeck
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Average customer rating: 4.5 ISBN: 0142000663
When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak


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