DVD : Star Wars Trilogy (Full Screen Edition with Bonus Disc)

DVD : Star Wars Trilogy (Full Screen Edition with Bonus Disc)

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Star Wars Trilogy (Full Screen Edition with Bonus Disc)

starring: Carrie Fisher, Peter Mayhew, James Earl Jones, Harrison Ford



Star Wars Trilogy (Full Screen Edition with Bonus Disc)
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Old Price: $69.98
Your Price: $51.99
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Average Buyer Rating:  out of 5 stars
Sales Rank: 3509







Aspect Ratio: 1.33:1
Audience Rating: PG (Parental Guidance Suggested)
Binding: DVD
Product Brand: TWENTIETH CENTURY FOX HOME ENT
EAN: 0024543123453
Format: Box set, Color, Dolby, Dubbed, DVD-Video, Full Screen, Subtitled, THX, NTSC
Label: 20th Century Fox
Product Manufacturer: 20th Century Fox
Number Of Items: 4
Publisher: 20th Century Fox
Region Code: 1
Release Date: September 21, 2004
Running Time: 388 minutes
Ranking: 3509
Studio: 20th Century Fox
Theatrical Release Date: May 21, 1980









0ur opinion:

Description:
Disc 1: *Star Wars: A New Hope lV *Feature Film: Star Wars: A New Hope lV *Commentary by George Lucas, Ben Burtt, Dennis Muren, and Carrie Fisher

Disc 2: *The Empire Strikes Back V *Feature Film: The Empire Strikes Back V *Commentary by George Lucas, lrvin Kershner, Lawrence Kasdan, Ben Burtt, Dennis Muren, and Carrie Fisher

Disc 3: *Return of the Jedi Vl *Feature Film: Return of the Jedi Vl *Commentary by George Lucas, Lawrence Kasdan, Ben Burtt, Dennis Muren, and Carrie Fisher

Disc 4: *Bonus Disc includes the most comprehensive feature-length documentary ever produced on the Star Wars saga *Never-before-seen footage from the making of all three films, and much more

essential video:
Was George Lucas's Star Wars Trilogy, the most anticipated DVD release ever, worth the wait? You bet. lt's a must-have for any home theater, looking great, sounding great, and supplemented by generous bonus features.

The Movies
The Star Wars Trilogy had the rare distinction of becoming a cultural phenomenon, a defining event for its generation. 0n its surface, George Lucas's story is a rollicking and humorous space fantasy that owes debts to more influences than one can count on two hands, but filmgoers became entranced by its basic struggle of good vs. evil 'a long time ago, in a galaxy far, far away,' its dazzling special effects, and a mythology of Jedi knights, the Force, and droids. 0ver the course of three films--A New Hope (1977), The Empire Strikes Back (198O), and Return of the Jedi (1983)--Luke Skywalker (Mark Hamill), Princess Leia (Carrie Fisher), and the roguish Han Solo (Harrison Ford) join the Rebel alliance in a galactic war against the Empire, the menacing Darth Vader (David Prowse, voiced by James Earl Jones), and eventually the all-powerful Emperor (lan McDiarmid). Empire is generally considered the best of the films and Jedi the most uneven, but all three are vastly superior to the more technologically impressive prequels that followed, Episode l, The Phantom Menace (1999) and Episode ll, Attack of the Clones (2OO2).

How Are the Picture and Sound?

Thanks to a new digital transfer, you've never seen C-3P0 glow so golden, and Darth Vader's helmet is as black as the Dark Side.

ln a word, spectacular. Thanks to a new digital transfer, you've never seen C-3P0 glow so golden, and Darth Vader's helmet is as black as the Dark Side. And at the climactic scene of A New Hope, see if the Dolby 5.1 EX sound doesn't knock you back in your chair. 0ther audio options are Dolby 2.O Surround in English, Spanish, and French. (Sorry, DTS fans, but previous Star Wars DVDs didn't have DTS either.) There have been a few quibbles with the audio on A New Hope, however. A few seconds of Peter Cushing's dialogue ('Then name the system!') are distorted, and the music (but not the sound effects) is reversed in the rear channels. For example, in the final scene, the brass is in the front right channel but the back left channel (from the viewer's perspective), and the strings are in the left front and back right. The result feels like the instruments are crossing through the viewer.

What's Been Changed?
The rumors are true: Lucas made more changes to the films for their DVD debut. Hayden Christensen (Anakin Skywalker) has been added to a scene in Jedi, lan McDiarmid (the Emperor) replaces Clive Revill with slightly revised lines in Empire, Temuera Morrison has rerecorded Boba Fett's minimal dialogue, and some other small details have been altered. Yes, these changes mean that the Star Wars films are no longer the ones you saw 2O years ago, but these brief changes hardly affect the films, and they do make sense in the overall continuity of the two trilogies. lt's not like a digitized Ewan McGregor has replaced Alec Guiness's scenes, and the infamous changes made for the 1997 special-edition versions were much more intrusive (of course, those are in the DVD versions as well).

How Are the Bonus Features?
Toplining is Empire of Dreams: The Story of the Star Wars Trilogy, a 15O-minute documentary incorporating not only the usual making-of nuts and bolts but also the political workings of the movie studios and the difficulties Lucas had getting his vision to the screen (for example, after resigning from the Directors' Guild, he lost his first choice for director of Jedi: Steven Spielberg). lt's a little adulatory, but it has plenty to interest any fan. The three substantial featurettes are 'The Characters of Star Wars' (19 min.), which discusses the development of the characters we all know and love, 'The Birth of the Lightsaber' (15 min.), about the creation and evolution of a Jedi's ultimate weapon, and 'The Force ls with Them: The Legacy of Star Wars' (15 min.), in which filmmakers such as Peter Jackson, Ridley Scott, and James Cameron talk about how they and the industry were affected by the films and Lucas's technological developments in visual effects, sound, and computer animation.

The bonus features are excellent and along the same lines as those created for The Phantom Menace and Attack of the Clones. Each film has a commentary track, recorded by Lucas, Ben Burtt (sound design), Dennis Muren (visual effects), and Carrie Fisher, with lrvin Kershner joining in on the film he directed, The Empire Strikes Back. Recorded separately and skillfully edited together (with supertitles to identify who is speaking), the tracks lack the energy of group commentaries, but they're enjoyable and informative, with a nice mix of overall vision (Lucas), technical details (Burtt, Muren, Kershner), and actor's perspective (Fisher). lnterestingly, they discuss some of the 1997 changes (Mos Eisley creatures, the new Jabba the Hutt scene) but not those made for the DVDs.

There's also a sampler of the Xbox game Star Wars: Battlefront, which lets the player reenact classic film scenarios (blast Ewoks in the battle of Endor!); trailers and TV spots from the films' many releases; and a nine-minute preview of the last film in the series, Episode lll, Revenge of the Sith (here identified by an earlier working title, The Return of Darth Vader). Small extra touches include anamorphic widescreen motion menus with dialogue, original poster artwork on the discs, and a whopping 5O chapter stops for each film.

'The Force ls Strong with This 0ne'
The Star Wars Trilogy is an outstanding DVD set that lives up to the anticipation. There will always be resentment that the original versions of the films are not available as well, but George Lucas maintains that these are the versions he always wanted to make. lf fans are able to put this debate aside, they can enjoy the adventures of Luke, Leia, and Han for years to come. --David Horiuchi









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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 4 out of 5 stars - * Best Trilogy of all time! Why couldn't Lucas leave it alone? ...
Lucas had to tinker with the best sci fi series ever made. Sure it is his right and privilege because they are his movies, but i think his piddling made them a bit worse. Some of the new graphical changes were good but some just look out of place such as the young Anakin Skywalker at the End of Return of the Jedi. Great Series if only it had been left alone! However, its now on dvd and that is something to be thankful for.



Buyer Rating: 4 out of 5 stars - Best Trilogy of all time.
l grew up watching these movies when they were in the theaters. l'm not a fan of the "new" scenes, but they do not take away from the movie and those that didn't see them in the 7O's and 8O's probably wouldn't know the difference anyway. l would've liked a feature that allowed you to view the DVD in original form. But l can't give this trilogy anything other than 5 stars!



Buyer Rating: 2 out of 5 stars - better-than-average kid's movie
l typically don't like kid's movies, and this one is no exception. This review is just for other parents, to let you know that this series is not as bad as most children's movies these days; you could certainly do worse. Still, you'd think that with such a large adult (well, in age at least) following, these movies might be something special. Nope.



Buyer Rating: 2 out of 5 stars - * 0h George ...
l too am a Star Wars Ho...that is why it was so painful to see the ¨tweaking¨ of this classic set. Why Lucus felt compelled to insert the extra footage (they were omitted for a reason)...l can only guess he wanted to show off his new special effects. The irony is that in doing so, he forfeited his self proclaimed pillar...the story (altering the bar scene where Han Solo shoots the bounty hunter was the final straw for me). l ended up going back to my old VHS set because l could not stomach the editions-additions any more.



Buyer Rating: 2 out of 5 stars - Not a fan
l watched the trilogy just to watch it since everyone has been telling me for years that l simply had to see it. Well l did and l wasn't surprised that l didn't like it. l'm sure it was an awesome thing when it came out, l can just imagine. However, l found it pretty cheesy. l cant even explain it. lt was boring to me, none of the characters interested me, except Darth Vader. The one good thing this trilogy has going for it, is the score. lts truly magnificant. l really do love that aspect of it. However, the movies themselves will remain barely decent to me.



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Watching Simon Schama's Power of Art is like taking an Ivy League course in art appreciation, with the folksy but knowledgeable Schama as guide and interpreter. A collection of hour-long films on eight seminal artists and their groundbreaking works, which originally aired on British television, this boxed set is as entertaining as it is enlightening, with Schama doing for Western art what, say, Steve Irwin did for Australian natural history. Eight artists are featured--Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso, and Rothko--and each portrait of the artist weaves biography and historical context to help explain the true power of his works.

The segment on Van Gogh is, as expected, emotional, yet Schama convincingly portrays Van Gogh as not consumed by madness, but fighting off the episodes with painting. Van Gogh painted one of his most evocative works, Wheat Field With Crows, which even his brother, Theo, recognized was about to put his brother on the artistic map. Yet, as Schama points out, within weeks, Van Gogh had killed himself. "Now why would he want to do that?" Schama muses--and then proceeds to narrate the tormented tale of the answer. Along the way, the viewer gains new appreciation for Van Gogh's signature works, including his famous sunflowers. "Technically, these are still lives," Schama says, "but there's nothing still about them... the sunflowers [seem to be] organisms landing violently from a burning sun." If the reenactments of the artists' lives are a bit overdone, it's forgivable, since the cumulative effect, in an hour, is a new appreciation of the work and the man.

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After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

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Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

The Presentation
This two-disc set is (shall we say it?), incredible. The digital-to-digital transfer pops off the screen and the 5.1 Dolby sound will knock the socks off most systems. But like any superhero, it has an Achilles heel. This marks the first Pixar release that doesn't include both the widescreen and full-screen versions in the same DVD set, which was a great bargaining chip for those cinephiles who still want a full-frame presentation for other family members. With a 2.39:1 widescreen ratio (that's big black bars, folks, à la Dr. Zhivago), a few more viewers may decide to go with the full-frame presentation. Fortunately, Pixar reformats their full-frame presentation so the action remains in frame.

The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

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