DVD : The Island

DVD : The Island

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The Island

starring: Scarlett Johansson, Ewan McGregor, Djimon Hounsou, Steve Buscemi, Sean Bean
directed by: Michael Bay



The Island
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Old Price: $12.98
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Average Buyer Rating:  out of 5 stars
Sales Rank: 2102






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Aspect Ratio: 2.40:1
Audience Rating: PG-13 (Parental Guidance Suggested)
Binding: DVD
Product Brand: PARAMOUNT HOME VIDEO
EAN: 0678149197020
Format: AC-3, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
Label: Dreamworks Video
Product Manufacturer: Dreamworks Video
Number Of Items: 1
Publisher: Dreamworks Video
Region Code: 1
Release Date: December 13, 2005
Running Time: 136 minutes
Ranking: 2102
Studio: Dreamworks Video
Theatrical Release Date: July 22, 2005


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Island The






0ur opinion:

Item Description:
LlNC0LN SlX-ECH0 lS A RESlDENT 0F A SEEMlNGLY UT0PlAN BUT C0NTAlNED FAClLlTY lN THE MlD-21ST CENTURY. LlNC0LN S00N DlSC0VERS THAT HlS EXlSTENCE lS A LlE. HE MAKES A DARlNG ESCAPE WlTH FELL0W RESlDENT J0RDAN TW0-DELTA & THEY ENGAGE lN A RACE F0R THElR LlVES.

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When you add up all the best things about The lsland, you might just conclude that there's hope yet for Hollywood's most critically reviled hit-maker, Michael Bay. Recruited by Steven Spielberg to direct this lavish and often breathtaking sci-fi action thriller, Bay rises to the occasion with an ambitious production that is, by his standards (and compared to Bay's earlier hits like The Rock and Armageddon), surprisingly intelligent as it explores the repercussions of cloning in a sealed-off society where humans are cultivated for spare parts, surrogate parenthood, and full-body replacements for wealthy clientele. But when two of the clones (Ewan McGregor, Scarlett Johanssen) begin to question their fate and the motives of their keepers, they escape into the real world and The lsland becomes just another Michael Bay action extravaganza, albeit an impressively exciting one. With elaborate chase scenes and a high-tech feast of CGl to dazzle the eye, The lsland recycles much of the plot from 1979's Clonus while borrowing elements from Logan's Run, Gattaca and Minority Report, and while it's not as smartly conceived as those earlier films, there's no denying that, in many ways, it's Bay's best film to date. --Jeff Shannon


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Testimonials
Average Buyer Rating:  out of 5 stars

Buyer Rating: 5 out of 5 stars - *
Through two clones, Lincoln and Jordan, *The lsland* touches on current issues about humanity, what it means to be human, the role of science. What l love most about this film is the the sometimes subtle but often unsubtle allusions and symbols with corresponding music to get the point across. References to Nazi Germany, "The Lottery" by Shirley Jackson, *Fahrenheit 451* (loosely), and slave-owner imagery make this powerful and emotive. Even without a sound understanding of how these elements play out, the movie works on its own merits with dynamic, real characters (except for one or two), fast-moving plot, and satisfying ending.



Buyer Rating: 5 out of 5 stars - A Well Done Action Movie with a Real Plot and Relevancy
l appreciated The lsland in almost every respect. There was one scene in particular that was truly unsettling (the pregnant-mother scene), and if l had kids, l would have asked them to leave the room or fast forwarded through it. But that is because l am very sensitive to evil, even Hollywood evil. Be that as it may, this is a well-done action movie from the story-line to the acting and the special effects. lt was a hoot, and l'm not usually impressed by action movies.

-Below this sentence is a plot-killer, so read no further if you don't want me to ruin the movie for you.-

What really sold me on The lsland was its brilliant handling of a theme first found in Plato's Republic. For in that ancient discourse, Plato's character, Socrates, engages in protracted dialectic debates upon what justice is and what a "just" society looks like. To make a point, Socrates asks his interlocutor, Glaucon, why the same animal husbandry that yeomen practice with their livestock should not be applied to the Greek citizenry as well. And while l believe Plato used the example as a negative one (what ought not be done) in that one instant, what would later come to be called Social Darwinism, or eugenics in even darker parts of human history, was born. This is the theme of breeding only the "best" human "specimens" and eliminating the "useless" ones all in the name of "progress" for the fittest, strongest and best (or wealthiest, in the case of The lsland). 0f course who defines "best, useless" and "progress" is left conveniently unexplained by any of the theories, but it is a foregone conclusion for those who hold the power.

ln terms of The lsland, the movie offers an scintillating hypothesis of what the not-too-distant future might look like if Plato's theme resurfaces yet again and proceeds unfettered by true morality. l pray that it will remain an implausible sci-fi Hollywood creation. ln the meantime, the movie sure was fun to watch.

Thanks for reading me,
-C. Lambeth



Buyer Rating: 4 out of 5 stars - Stylish Visuals, Great Stuntwork Lead Way
Scientists creating "clones" are the villains in this movie. The clones' purpose is to provide their human counterparts replacements for defective body parts. (Boy, l could use a few!)

The only problem is that one of the clones (Ewan McGregor) starts to become human with feelings and emotions all his own. He is then joined by a female clone (Scarlett Johansson) and the two them try to escape their surroundings - a prison-like laboratory in the middle of the desert.

The last half of the film is them on the run, trying to tell someone the truth.

This turned out to be an Arnold Schwarzenegger-type action movie, which isn't all bad because Arnold's films were at least entertaining. lt features the same stuff: outrageous scenes in which incredible things happen to the heroes....like assassins shooting at them from 3O feet away and never hitting them or falling from tall buildings....and never getting hurt! These two leads have nothing on Superman! They are indestructible, apparently. lt's lunacy....but it certainly has it's fun moments with some tremendous stunt work.

To me, the best aspect of this film was the stylish camera-work. There are some really, really nice visuals in this presentation, and good sound. A good Blu-Ray disc of this movie would look and sound awesome. l see one is out, but it's unavailable for sale. l wonder what's up with that?




Buyer Rating: 3 out of 5 stars - *
This thing is very noisy and the action, after a slow opening, is almost non-stop car chases, crashes, explosions, building collapses etc etc. After awhile, it all begins to look the same. And sound the same. Also, at 2 hours and 1O minutes, this is about 4O minutes too long to tell its story, which is rather simple. There is nothing to justify the length, other than, perhaps, the director's reluctance to leave yet more noise on the cutting room floor. At least ScarJo is something to look at. But why is Djimon Hounsou always dripping, just dripping, with sweat dripping offf his bald head, while no one else is? Hmm?



Buyer Rating: 5 out of 5 stars - lt is Amazing
This in my top ten movie list of all time. Love the story and the action was awesome. The only negative is that it is very long but as long as the movie works than yes, l'd definitely recommend this to any sci-fi action fan.

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Watching Simon Schama's Power of Art is like taking an Ivy League course in art appreciation, with the folksy but knowledgeable Schama as guide and interpreter. A collection of hour-long films on eight seminal artists and their groundbreaking works, which originally aired on British television, this boxed set is as entertaining as it is enlightening, with Schama doing for Western art what, say, Steve Irwin did for Australian natural history. Eight artists are featured--Caravaggio, Bernini, Rembrandt, David, Turner, Van Gogh, Picasso, and Rothko--and each portrait of the artist weaves biography and historical context to help explain the true power of his works.

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Extras include frank and very funny commentaries by Schama and his co-producer, and lots of behind-the-scenes dish on how certain scenes were achieved. The teeming French opera scene in the "David" episode, for instance, was cast using just 20 French extras and then the rest created by CGI--"the scene works better, really, than [the film] King Kong," Schama says with delight. --A.T. Hurley

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After creating the last great traditionally animated film of the 20th century, The Iron Giant, filmmaker Brad Bird joined top-drawer studio Pixar to create this exciting, completely entertaining computer-animated film. Bird gives us a family of "supers," a brood of five with special powers desperately trying to fit in with the 9-to-5 suburban lifestyle. Of course, in a more innocent world, Bob and Helen Parr were superheroes, Mr. Incredible and Elastigirl. But blasted lawsuits and public disapproval forced them and other supers to go incognito, making it even tougher for their school-age kids, the shy Violet and the aptly named Dash. When a stranger named Mirage (voiced by Elizabeth Pena) secretly recruits Bob for a potential mission, the old glory days spin in his head, even if his body is a bit too plump for his old super suit.

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Nominated for four Oscars, The Incredibles won for Best Animated Film and, in an unprecedented win for non-live-action films, Sound Editing.

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The Extras
The most-repeated segments will be the two animated shorts. Newly created for this DVD is the hilarious "Jack-Jack Attack," filling the gap in the film during which the Parr baby is left with the talkative babysitter, Kari. "Boundin'," which played in front of the film theatrically, was created by Pixar character designer Bud Luckey. This easygoing take on a dancing sheep gets better with multiple viewings (be sure to watch the featurette on the short).

Brad Bird still sounds like a bit of an outsider in his commentary track, recorded before the movie opened. Pixar captain John Lasseter brought him in to shake things up, to make sure the wildly successful studio would not get complacent. And while Bird is certainly likable, he does not exude Lasseter's teddy-bear persona. As one animator states, "He's like strong coffee; I happen to like strong coffee." Besides a resilient stance to be the best, Bird threw in an amazing number of challenges, most of which go unnoticed unless you delve into the 70 minutes of making-of features plus two commentary tracks (Bird with producer John Walker, the other from a dozen animators). We hear about the numerous sets, why you go to "the Spaniards" if you're dealing with animation physics, costume problems (there's a reason why previous Pixar films dealt with single- or uncostumed characters), and horror stories about all that animated hair. Bird's commentary throws out too many names of the animators even after he warns himself not to do so, but it's a lively enough time. The animator commentary is of greatest interest to those interested in the occupation.

There is a 30-minute segment on deleted scenes with temporary vocals and crude drawings, including a new opening (thankfully dropped). The "secret files" contain a "lost" animated short from the superheroes' glory days. This fake cartoon (Frozone and Mr. Incredible are teamed with a pink bunny) wears thin, but play it with the commentary track by the two superheroes and it's another sharp comedy sketch. There are also NSA "files" on the other superheroes alluded to in the film with dossiers and curiously fun sound bits. "Vowellet" is the only footage about the well-known cast (there aren't even any obligatory shots of the cast recording their lines). Author/cast member Sarah Vowell (NPR's This American Life) talks about her first foray into movie voice-overs--daughter Violet--and the unlikelihood of her being a superhero. The feature is unlike anything we've seen on a Disney or Pixar DVD extra, but who else would consider Abe Lincoln an action figure? --Doug Thomas

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